Shakespeare Week — Sonnet writing
This week in the UK, is Shakespeare Week.
Shakespeare Week is a national, annual celebration, giving primary school aged children opportunities for enriching and enjoyable early experiences of Shakespeare.
When I was at school, we weren’t far from Stratford on Avon, which is where the Royal Shakespeare Company are based, and the theatre where they perform the Bard’s plays. Because we were relatively close, when I was studying ‘O’ levels and ‘A’ levels, we were taken on trips to see the performance.
I remember seeing Macbeth (1967/8-ish which we studied for O level); The Winter’s Tale (1969, for A level). The cast was full of actors who are now well-known. Particularly, Judie Dench (who plays M in James Bond films). Directed by Trevor Nunn, it was an amazing experience and still today I have quite clear images in my head of some parts of that play. One particular device, which, at that age I’d never seen, was whilst one member of the cast had a soliloquy about what he imagined was happening between his wife and his friend, in the background, the two actors playing those parts, mimed in slow motion his imaginings. It was both cinematic and brilliant.
Later in life, I went to see many plays there. The Taming of a Shrew, had a memorable opening scene which I’ve always remembered, where actor, Jonathan Pryce rode a motorbike onto the stage.
For my celebration of the Bard’s week, I’ve decided to write sonnets.
I’ve written seven Sonnets with Shakespeare’s rhyming pattern; syllable and line count, but I haven’t used Iambic pentameter.
What is a Sonnet?
A sonnet is a poetic form, for which Shakespeare is particularly well known, having written 154 of them, published in 1609.
His style of sonnet has particular rules when writing.
· The poem is made up of a strict rhyming pattern:
End of lines have to rhyme: ABAB; CDCD; EFEF; GG.
· The whole poem has 14 lines, and each line contains 10 syllables.
The added difficulty of Shakespeare’s sonnets is they are written in Iambic Pentameter. That means that each line has a pattern of: a word unstressed, followed by a word stressed (in bold) ie:
Shall I compare thee to a summers day?
Modern Poets take on the Sonnet
Many modern poets have freed themselves of the strict rules of the sonnet. However, when someone writes a fourteen-line poem, it can be accepted as a variation of the sonnet form.
I recently attended an online workshop for writing sonnets. We were taught the strict rules, but by the end of the session, the poet leading the event, told us that basically if your poem looks like a rectangle on the page and has about fourteen lines, you can call it a sonnet.
Some modern poets’ versions are so loose, they only contain the ‘ghost’ of a sonnet within them.
Many modern poets have increasingly moved away from the Iambic pentameter, the idea of the, da-dum, da -dumrhythmic feel, which is often considered old-fashioned.
A way to create a modern feeling is, rather than ending each line with the allotted ‘end rhyme’ word and feeling of a full stop, you overflow the meaning of the sentence into the next line.
Here in the first four lines of Shakespeare’s ‘Shall I compare there to a summer’s day?’ where there is no continuation of meaning of sentences between lines:
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Here is the first four lines of Nicholas Friedman’s ‘As Is’ a Shakespearean sonnet, with every rule used, (including Iambic Pentameter), however it appears more modern due to the language, and the continuation between sentences:
Just north of town, a quaint Sargasso Sea
for bric-a-brac: the barn, itself antique,
spills over with a grab-bag panoply
of outworn stock revalued as “unique.”
Here in the first four lines of Dorothea Tanning’s ‘All Hallows’ Eve’, she has her own rhyming pattern and syllable count, but the poem does have 14 lines. The two rhyme endings here, alternate throughout the rest of the poem.
Be perfect, make it otherwise.
Yesterday is torn in shreds.
Lightning’s thousand sulfur eyes
Rip apart the breathing beds.
Basically, now, it appears that a sonnet can be whatever you want it to be. However, there is no taking away from the amazing feat of Shakespeare writing 154 of them!
My first one of the week is to Shakespeare himself:
I enjoy the challenge of writing to certain poetic forms, and at other times, I write free verse. In fact, that’s what I love about poetry — I have so many different choices in how I can compose each one.
If you would like to read my other sonnets in order they have appeared this week (starting Monday 15thMarch), they are:
Sonnet for Shakespeare
Sonnet for a Piscean from her love
Sonnet for Friends
Sonnet to Growing Old
Sonnet to Joyous Spring
Sonnet to Conrad/ Sonnet to Mushrooms
Sonnet to a Pork Pie
They can be found on my Lis McDermott Author FB page: www.facebook.com/lismcdermottauthor
and also on my Lis McDermott Instagram page:
www.instagram.com/lismcdermott
Lis McDermott is an author, poet and professional writing mentor, find out more at www.LisMcDermottauthor.co.uk